pocket full of posies


100-blocks_300w390hHappy dance! I’m featured in Quiltmaker’s 100 Blocks from Today’s Top Designers. Want a peek at some of the fabulous quilt blocks inside? Follow the 100 Blocks Blog Tour daily Nov. 9-13 at quiltmaker.com/quiltypleasures for inspiration, ideas and giveaways galore!

Look for 100 Blocks from Today’s Top Designers in your local quilt shop, or purchase it at quiltmaker.com/100blocks. Besides having 100 fantastic quilt blocks to choose from, there are layouts for quilts in sizes from lap to king, fab free-motion quilting designs, and ideas for neat stuff you can make with just a single 12″ block.

Pocket Full of Posies quilt block

Here’s my block,#41: Pocket Full of Posies. It’s a fun block, combining simple piecing with paper piecing, applique and button embellishment. This block would look great in many different color palettes. Here I’ve used one of my all-time favorite palettes: black & white with brights.

The centers of the flowers are 30 mm Kurumi cover buttons. If you’ve never tried Kurumi buttons, they’re great for making easy perfect dimensional circles. You could also substitute a regular circle of fusible-backed fabric or a yo-yo for the flower centers. Use your imagination and have fun!

kurumi-step-by-stepWondering how to use a Kurumi button? It’s easy!

1. Cut out a circle of fabric a bit larger than your button.

2. Sew a running stitch all the way around the edge as if you’re making a fabric yo-yo.

3. Gather the circle of fabric around the Kurumi button and tie a knot.

Voila! Now just hand applique your covered Kurumi button to your quilt block with matching thread.

Want a chance to win a copy of Quiltmaker’s 100 Blocks from today’s top designers? Just leave a comment on this post and tell me your favorite color palette. Have too many favs to choose from? That’s OK, flip a coin, roll a pair of dice, or simply list them all in your comment. You have until the end of Thursday, November 12, 2009. I’ll draw a number and announce the winner on Friday morning, November 13.

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wip wednesday: workshop fun!

So, here’s my latest WIP, from Marguerette Tate’s workshop last week. We started out at the very beginning making a background to decorate. Here’s mine, ready for quilting:

Marguerette has the best technique for creating art quilt backgrounds. You start out with strips and end up with two quilt tops ready for embellishing. We worked on just one in the class and saved the other for another day.

Here’s my background all quilted with the beginnings of the dimensional flower embellishments. Can you believe I finished all this before the workshop was through?

I wanted to do my own thing so I quilted one of my skull appliques to the background. I fused two layers of Kona white together to try to mask the strong background behind the white. That worked pretty well, you can barely see the background through it and it will be strong enough to support the embellishments without sagging. I decided against cutting out the background from behind it, although I might experiment with that in future quilts.

When I got home that night I added some beading and Swarovski hot-fix crystals because I had to show it off at the guild meeting the next day. It’s all in a day’s work.

Stay tuned for more beading and embellishments to come.

quilting 4 alzheimer’s part 1

Priority: Alzheimer’s Quilts are mini art quilts 9″ x 12″ or less (fits inside a USPS Priority Mailer) created and sold to help make finding a cure for Alzheimer’s Disease a priority. This year 39 of my Quilt Art internet friends and I participated in a Stay-At-Home Challenge for quilters who weren’t going to Houston but didn’t want to simply sit at home and feel sorry for ourselves, so we took this opportunity to create Priority: Alzheimer’s Quilts.

Priority: Alzheimer’s Quilts are part of The Alzheimer’s Art Quilt Initiative, founded by quilter Ami Simms to make a difference one quilt at a time. Here is my first Priority Quilt, On a good day. Artist Statement: I imagine snippets of memories floating by on a breeze. On a good day you can almost reach out and touch them.
This quilt is made from cotton and lamé fabric, with fusible machine appliqué, machine quilting and hot-fix Swarovski crystals. Fusing tissue lamé for machine appliqué is not as hard as one might expect. Just follow these simple steps:

1). Iron WonderUnder to reverse side of tissue lamé (the right side is whichever side you like best, if you can tell a difference between the two) using a medium-hot iron and a dry press cloth (I like to use a piece of cotton jersey cut out from an old T-shirt or a scrap of muslin as a press cloth for this).

2). Cut out your appliqué shapes, remove the paper backing, and iron shapes to the background fabric with your medium-hot iron and dry press cloth. Don’t hold the iron in place for longer than the recommended fusing time, instead check to see how well it is fused and then give it another 10 seconds or so if necessary, repeat ironing and checking until all the edges are securely fused. It is better to check and repeat a few times than to iron too long in one go and melt the lamé.

3).Machine appliqué around the edges with a zig zag stitch. Use a sharp new needle and sew carefully because it’s better not to rip stitches out of the fused tissue lamé if at all possible.

This is a terrific technique for art quilts and wall hangings that will not see a lot of rough handling or excessive washing. I have never tested it on a bed quilt or wearable art garment.

Here are the Swarovski crystals I used on my Priority Quilt. These are different than the usual bling bling hot fix crystals that we all know and love. It is an opaque turquoise and is perfect for those times when your quilt calls for a little embellishment, but not the sparkle. You can find them at Kandi Corp.
Stay tuned for part 2 for directions on how to make an Alzheimer’s Fidget Quilt.

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zéphirine drouhin details

Here is the photo I worked from in Zéphirine Drouhin. Once upon a time it looked more like the photograph (several years old, taken from my scrapbook). I didn’t want to spill ink on it so I put the page away halfway through. That is when the fairy took on a look of her own, although when my DD tilts her head she looks alot like the fairy, and as she looks a bit younger than the fairy, they should look even more alike in a few years. I really liked the fairy as she was so I kept her even though it was not an exact likeness. The inks behave somewhat like watercolors in that you cannot overwork them or it will become muddy. I had to abandon my first attempt, taken from a different photo, because it was becoming mud pie.

You can also see some of the embellishments (beads, glitter, embroidery threads, and crystals). Angelina fibers are in the wings and metallic threads in her hair.

Finally we have the close-up of one of the rosebuds, the border quilting, the binding treatment, and the view from the back. Yes, those are very thick threads and very large quilting stitches.

You can see larger detail images, the painting which inspired this quilt, and other interpretations of that painting in the Spring 2006 ARTImage Challenge Webshots Album.

You can read about my original inspiration for this quilt on the Delphi Quilt Studio Forum, Spring ARTImage Picture and Discussion, message #57.