Last week I took a sashiko workshop from Nancy Ota. I’ve always wanted to learn to do sashiko properly, and I’m so glad I did. Nancy is a wonderful teacher and a fabulous quilt artist as well. Here are my results from the last couple of days:
That last one is on pre-printed fabric (I’ve only just begun, my stitching is the lighter part in the upper left corner), the other two are drafted with a white pencil. Following the stitching lines on the pre-printed fabric is good practice, I’m getting better at the tiny stitches in the centers. I think I prefer drafting to pre-printed though. When you draft them yourself you can draw the designs any size you wish and you can be more free with your stitch length and placement. These blocks are going to eventually become part of a sashiko sampler when I’ve finished enough of them.
Here’s a necklace I made with my Fast, Fun & Easy Cover Button Jewelry techniques by stitching on the pre-printed Asa-no-ha fabric. That’s a 1-7/8″ button.
4″ Dear Diary block made with my sashiko practice piece
and another 4″ Dear Diary block using up the rest of my practice stitches.
Sashiko is a great take-along project. You don’t need a hoop or complicated equipment. I’d like to try sashiko quilting on my painted Spring quilt top, but I didn’t use any fabric paint medium in the acrylics so it’s not going to be the most needle-friendly quilt top I’ve ever made. Maybe I could limit the sashiko to the upper part of the center panel where there’s not much paint and machine quilt the rest. For now though, I’m just going to continue with my sashiko sampler blocks.



Genuine deadlines work better than fake ones, but in the absence of a real deadline it can’t hurt to make one up anyways.
As you can see, I’ve been a busy little embroiderer/beader. I’m still working on the tree trunk there in the lower right-hand corner in case you’re wondering what that jumble of orange thread is. I might add a few more beads here and there, but it’s basically done.













