muse monday: inspired by boring fabric

Got boring fabric? Try some fabric painting fun to jazz it up a bit and turn it into something you actually WANT to use! Here’s the technique I’m giving a demo on at the Craft & Hobby Association’s 2010 Winter Trade Show today:

  1. Start with some boring fabric. If you’re going to use it to make my fabric-painted rosettes, then cut it to be 18″ long. The piece below is about 9″ or 10″ by 18″. The enamel tray is great for containing the mess. Otherwise, you could cover your surface with freezer paper or plastic. (Tape it down taut for a smooth finish.)
  2. fabricpainting01

  3. Using a 1″ paintbrush and Liquitex Soft Body Acrylic Paint (the ones in the plastic jars) make random diagonal brushstrokes across the fabric. I used Brilliant Purple here. Dip the paint brush in a little water if you wish, but don’t use too much water at this point because you want to have some opaque areas that block the pattern and some translucent ones that let the pattern peek through. See the lighter sections of purple in the brushstrokes below? That’s where the paint is not watered down. This will dry opaque and cover the pattern. The darker parts of the brushstrokes with the pattern showing through have less paint and more water.
  4. fabricpainting02Now add more water to the paint to make a thinner consistency and cover the entire piece of fabric with a thin coat of paint. You can leave a few scattered sections of fabric unpainted if you wish.
  5. fabricpainting03Add in some more thicker areas of paint.
  6. fabricpainting04Use a stencil to add some bling. I used Liquitex Soft Body Acrylic in Iridescent Rich Gold. I’m stenciling right on the already wet/damp fabric. This will make the pattern slightly less distinct, but more interesting. The water also holds the stencil in place so it makes things easier in that respect: you don’t have to worry about the stencil shifting. Place it straight down, dab the paint into the holes, and lift it straight up again. Repeat as desired.fabricpainting05
  7. fabricpainting06

  8. Next comes stamping. Use a paint brush to apply paint to foam stamps. Use less paint for a distressed look or completely cover the stamp for a complete image. If you start out with more paint you can stamp multiple times before reloading with paint and get ghost images. Just don’t put so much paint on the stamp that it oozes over the edges of the stamp. Stamp some images while the paint is still wet and then wait till it dries (or use a hair dryer like I do to speed up the process) and stamp some more to get distinct edges. Notice how the some of the purple checks are fuzzy. They were stamped onto wet fabric. The distinct checks were stamped after the fabric was dry.fabricpainting07fabricpainting08fabricpainting09fabricpainting10
  9. Finally use a small paintbrush on dry fabric to add details. Outline bits and pieces of the design showing through as well as some of the images you stamped, or just doodle. fabricpainting11

Voila! Now you have a fun piece of fabric to use for quilting, embellishing, and more! It would make a fabulous background for ATCs (artist trading cards) or fabric postcards. It would be great for an art quilt, but not so much for a quilt you’d want to snuggle with. Depending on how thickly you apply the paint, the fabric can come out a bit stiff. On the positive side, the painted fabric has more body and resists raveling. Tune in tomorrow to find out what I made with this piece of painted fabric (and get a tutorial too!)

Want more fabric painting fun? Check out Judi Hurwitt’s Rescuing Ugly Fabric post at the Approachable Art blog.

muse monday: road 2 ca

While I enjoy the big picture looking at paintings and quilts, what I am most intrigued by are the close-up details: the brush strokes and stitches, the weave of the fabric and the facets of the embellishments. So direct from Ontario, California, I bring you a close-up look at the details of a few of my favorite quilts. I hope you are as fascinated and inspired as I am by these intricate works of art from Road to California 2010.

2010GardenPartyQVases by Suzanne Marshall, MO

2010GardenPartyDWhat I love most about Suzanne’s prize-winning quilt is the way she outlined each applique piece with hand embroidery.

2010SkysLimitQThe Sky’s the Limit by Linda MacDougall, CA

2010SkysLimitD1Linda MacDougall pays such attention to each exquisite detail in all her quilts. (Her Garden Party quilt won 2nd place in the Innovative Traditional category. You should be able to see it and the other winners soon on the Road to California website.) Notice the beads and crystals she used for the tiniest ice cream scoops.

2010SkysLimitD2I also like the way the iridescent sheer changes the colors of the fabric underneath it.

2010FlowersGaloreQFlowers Galore by Cindy Shoop, CA

2010FlowersGaloreDThese pieced center circles look like stacked cover buttons or dimensional applique. It really makes a difference compared to plain circles.

2010InnerBeautyQInner Beauty by Cathleen Miller, NM

2010InnerBeautyDLook at how the trapunto flowers and leaves tie the appliqued borders into the rest of this magnificent quilt.

When you take a closer look, you’ll see that it’s details like these that take a great quilt and make it a fantastic quilt! Visit the Road to California website to see photos of the rest of this year’s winning quilts.


tip tuesday: how to embellish art quilts with stone donut beads

Donut beads are some of my favorite jewelry components. They also make fab art quilt embellishments. Here are a selection from my bead stash: clockwise from top center, 25mm Amethyst, 15mm Unakite, 14mm Green Aventurine, 20mm New Jade, 15mm Red Aventurine, 10mm Red Aventurine, 10mm New Jade, 15mm Leopardskin Jasper, 20mm New Jade (all donuts shown are from Fire Mountain Gems and Beads).There are 2 easy ways you can attach donut beads to a quilt without glue:
1). sew them to the quilt top with decorative thread or floss
2). hang them from a beaded dangle

Donuts as Surface Embellishment

Simply stitch through the donut’s hole with your favorite topstitching or pearl thread. You could even use fancy embroidery stitches or nylon beading thread and seed beads to stitch the stone donut down.
Beaded Donut Dangles

When beading a dangle, instead of using a single seed bead at the end of the dangle for a stop bead, string on enough beads to hold the stone donut and then bring the needle and thread back up through the rest of the beads on the dangle.
Donut beads are also made from glass, metal, shell and much more. What’s more, donut beads are calorie-free! =(^_^)=

breaking free

Here’s a quick little Fast Friday Fabric Challenge quilt I made just this week, “Breaking Free” (18″ x14″). You can read the “Making Of” story here.
Letting the quilt take me where it wanted to go was like a breath of fresh air. It was relaxing to just let go of that controlling urge for a few days and enjoy making a quilt that I had only the vaguest sense of where it was headed and what it might look like in the end. Summer quilting at its best, just as captivating as a good novel and no seam rippers allowed.

Don’t get me wrong, I still enjoy a good technical challenge. I completely understand the drive to be precise, after all I studied graphic design back in the dark ages when “cut and paste” was not cute little icons on your computer screen, but an actual X-Acto blade and wax stick. Then there are the rulers: my most precise quilter’s ruler measures to the 16th inch. In graphic design we measured by 1/72 inch. In varying degrees I carry this obsession with me into my quilter’s studio.
Now my challenge is to find a balance between instinct & freedom on one hand and precision & planning on the other. And maybe its not one perfect ratio to fit all, but knowing how much of each element is best for each individual quilt.

a penny for a spool of thread I



January’s Fast Friday Fabric Challenge was “cropped still life, with form/illusion of dimension”. You can see my quilt (9.5×9.5 inches) front and back above, as well as the original photo. Part of the challenge was to crop the image on three sides. At first I was annoyed that I had to do this, but in the end it made a much more dynamic and interesting composition. I’m definitely going to explore cropping again!

This is a two-sided quilt. I’m not sure how to display it since I don’t want a sleeve to cover the thread-painting side. I want to be able to hang it from either direction and flip it over on my wall from time to time. Any suggestions?

I haven’t added the binding yet, but I’m considering it finished enough to be on time (2007 challenges: 1 on time, 1 missed deadline/not finished yet, 1 almost finished/good chance of making the deadline, for those who are counting). I’ll add the binding when I figure out the hanging system.

Yes, I am planning to turn this into a series. Conincidentally, I’ve been planning other “A penny for a spool of thread” quilts in my head for some time now, using a variety of other techniques. I’d imagined them as larger wall hangings, but now that this one’s done small, they’d look neat hanging on the wall as a collection of mini thread-themed quilts.

Read more about this quilt and see some other great quilted still lifes at the FFFC blog.