wip wednesday: workshop fun!

So, here’s my latest WIP, from Marguerette Tate’s workshop last week. We started out at the very beginning making a background to decorate. Here’s mine, ready for quilting:

Marguerette has the best technique for creating art quilt backgrounds. You start out with strips and end up with two quilt tops ready for embellishing. We worked on just one in the class and saved the other for another day.

Here’s my background all quilted with the beginnings of the dimensional flower embellishments. Can you believe I finished all this before the workshop was through?

I wanted to do my own thing so I quilted one of my skull appliques to the background. I fused two layers of Kona white together to try to mask the strong background behind the white. That worked pretty well, you can barely see the background through it and it will be strong enough to support the embellishments without sagging. I decided against cutting out the background from behind it, although I might experiment with that in future quilts.

When I got home that night I added some beading and Swarovski hot-fix crystals because I had to show it off at the guild meeting the next day. It’s all in a day’s work.

Stay tuned for more beading and embellishments to come.

tip tuesday: from doodle to appliqué

Tiny doodles are not only fun to draw, they’re great for appliqué designs because when you’re drawing something very small, there’s not a lot of room for fussy details. That makes for easy appliqué. At left are several doodles I drew for appliqué blocks. You could fit all three of these drawings together on a Post-It note with room to spare.

When you’ve drawn a couple of doodles you like, just enlarge them to your desired size on the computer or a photocopy machine. I scan them at high resolution, then enlarge and clean them up in Photoshop, or sometimes use Illustrator and auto-trace them into vector artwork. Simple image-editing computer programs will do the trick as well. You don’t need the enlarged drawings to be picture perfect unless you are planning to publish the patterns.

After you’ve enlarged them to your desired size, you can print them out. If the lines are very pixelated or fuzzy from the enlarging process, use a lightbox or tape the paper to a sunny window and trace the design onto a new piece of paper.

If you are going to use paper-backed fusible web for your appliqués, remember to reverse the image in your computer program, photocopy machine, or flip it over and trace from the reverse side when you trace it onto a new sheet of paper after printing. That way the design won’t be backwards when you iron the fusible web onto your fabric.

Here are the results of the coffee cup doodles (I haven’t made any quilts from the cupcake doodle yet):

I Love You More Than … is based loosely on the small cup in the top left. I decided to simplify the cup even further by changing it to a straight-on perspective and added the stylized heart-shaped steam. The steam doodles are probably in a sketch pad or another computer someplace.

Latte is the pattern I made from the “large” coffee doodle on the right. I really like this cup and made quite a few variations of it. I seem to have forgotten about the swirly steam. I should make a block with the steaming cup. Maybe I could put the cupcake next to it.

The cup quilt on the left was probably supposed to be a cup of water. Come to think of it, that fabric reminds me of bubbles. It could be sparkling water.

The cup quilt on the right is A Cuppa Beads. Both of these cups are somewhere in my UFO hangar. I was using the cup of water as a demo piece for teaching bead embroidery so it’s not very far along, but A Cuppa Beads is probably ready for a border and quilting.

Below is a detail of the original Latte wallhanging. You will see more of this quilt in early 2010.
Happy doodling! =(^_^)=

wip wednesday: quilt-making at the speed of light

I was hoping to finish the machine appliqué on this quilt by today and to then start on the hand quilting the following week. Actually the appliqué was done in about a day and a half, and I am about 90% done with the quilting as well. I astonished even myself at how fast this quilt is coming together. I’m not going to show you the full view until the binding is applied. I may even make a beaded fringe. I’ve got some lovely beads in this color palette.

tip tuesday: mix it up!

For a fresh look, why not mix it up with piecing and appliqué together in the same block. You’ll get an interesting variety of shapes without knocking yourself out with complicated piecing or fussy appliquéing.

The diamonds in the corners of the Sakura block are quick and easy to appliqué. Each corner would need 5 separate pieces if they were paper-pieced and custom templates would have been necessary for regular piecing. The blossoms dancing across the block add movement to an otherwise basic 9-patch variation.

The gentle curves of the flowers and leaves in the Tulip Basket block are easy to appliqué and contrast nicely with the angular pieced basket.

Here are some tips for you if you’d like to try mixing appliqué and piecing together in your quilt blocks:


Simple pieced blocks with fewer rather than many pieces work best for appliquéing on top of.


Pressing the seams open for pieces that will have appliqués on top will reduce the seam bulk and help your appliqué stitches to be smoother.


If you prefer to press your seams to one side, just appliqué slowly and carefully over the bumps.


Simple appliqué shapes will show up best on pieced backgrounds (and they’re the easiest to sew too!)



Bright, warm colors (think hot pink, orange, yellow, red) will help the appliqués pop into the foreground.


Light, cool colors (think aqua, blue, green, purple) will help keep the background in the background.


I used fusible web on my blocks, but there’s no reason you couldn’t try needle-turn appliqué over a pieced block. Just needle through the top layer of the background only, avoid appliquéing all the way through the seam allowances.

happy quilting! =(^_^)=

dresden rose

Dresden Rose

designed by Marilyn Fromherz

quilted by Lynette Harlan

made by members of Citrus Belt Quilters

embroidery designs by Jenny Haskins

sponsored by 1st Centennial Bank, Redlands, CA

Road to California is coming to Ontario January 15-18, 2009 and my guild’s new opportunity quilt, Dresden Rose will be on display there. If you’re going to Road, be sure to look for it, this is one quilt you have to see in person. It knocked everyone’s socks off when it was unveiled at our last meeting. The background is wool with the Dresden appliqués in batik, embellished by machine embroidery and gorgeous quilting.

appliqué a fidgety quilt

Speaking of Fidget Quilts, Ann had a wonderful suggestion: “Small children might like something with lots of different textures too. I think lap quilts made from the variety of textures might be nice for children who may ‘fidget’ during worship.” Great idea, Ann!

Here’s a variation for those who like to do appliqué. Some of you may even remember this quilt from back about 2005 I believe (more about Emmeline’s Menagerie here).
All the baby animals on this quilt are made from different soft and furry fabrics. Here are some tips if you want to try making one of your own for a special child in your life.

1). Choose an appliqué pattern with simple shapes. Modify an existing pattern or draw up one of your own. This cute brown bear came from Kari Pearson’s book Playful Patchwork Projects. I added a flower and then drew up more animal friends to go with her. Avoid sharp points and tight curves. Having to worry about difficult or even just unfamiliar fabrics and a complex pattern is a surefire recipe for unnecessary stress.

2). Prewash all fabrics to preshrink and test for durability if you plan for the quilt to be washed in the future. You can find lots of great washable fashion fabrics at fabric stores, which is fantastic, since kids quilts can get dirty quite often.

3). Synthetic suede is really easy to work with. The back is clingy so you don’t even need to fuse or pin it down. You can if you want to though. If you’re going to fuse just set your iron to medium and use a press cloth to prevent scorching. Sometimes you can find faux suede with a dappled/tie dye pattern. A great product to try is Zwade Fusible Synthetic Suede. Zwade comes with the fusible already on the back and is convenient, fun and easy to use.

4). Polar fleece is another good choice. It is clingy like synthetic suede and comes in many different thicknesses and textures. Berber fleece is a bumpy fleece, kind of like lamb’s wool.

5). Other textured fabrics that are easy to appliqué include Warm & Natural batting (use it as an outer fabric!) and wool felt (prewash in hot water for a terrific bumpy texture). Velvet is also not too hard as long as you choose the non-lycra variety.

6). In between easy-peasy and challenging are chenille (sew slowly as you go over the bumps for a nicely finished stitch) and Minky dots (don’t fuse this one, you wouldn’t want to smash those cute bumpy polka dots).

7). Save the furriest, most challenging fabrics for last. Hands are very smart. Think of accomplished guitarists, pianists, or knitters, who don’t need to look at their fingers because of all their practice. After you’ve sewn a dozen or so blocks your fingers will start to “remember” the shape of the appliqués as you guide them under the sewing machine foot. This was very helpful when I worked on this black puppy dog. It was not only the thickest fur on the entire quilt, but it was black too. I felt like I was sewing blind, but my hands knew how to turn the block because I’d already made 19 blocks, including 3 dogs. (I’m definitely not suggesting you should close your eyes while you’re sewing, just that you should trust your hands to know what they’re doing.)

8). If your furry fabric is just too plush to handle you can give it a “haircut” by trimming it down with scissors on the edge where you will be stitching.

9). Another trick is to use a difficult fabric on only part of the block, like the fluffy ears on this little pooch.

10). Don’t limit yourself to just one machine appliqué stitch throughout the entire quilt. Do tests with your scraps and try out the zig zag, satin, and blanket stitch if you have it. (Check out the pink kitty block below where I used both satin stitch and machine blanket stitch.) Non-ravelly fabrics can even take a straight stitch if you wish.

11). For faces, satin stitch the eyes and mouth. A straight stitch can often get lost in fluffy fabric. You can appliqué a piece of fabric for the nose. For children over 3 buttons make fun eyes and noses.

12). Fabric collars and bows make great safe embellishments. Try lamé and other glittery fabrics, brocade, corduroy, and pleather.

13). Have fun embellishing with ribbons and other doo-dads. Be sure to attach them securely because children can and will pull them off. Better to be safe than sorry when embellishing for children 3 and under. Save the beads and buttons for older kids or wallhangings that will be displayed safely out of reach. (Below are some blocks that Annika and I are working on for a wall hanging for her room.)

14). Be bright! Why not make a blue bunny, a pink kitty, or a red puppy? Color your animals with all the colors of the rainbow.


wip wednesday #11

Still way into beading, I’m working on a beaded appliqué design for my March 12x12x12 project. I’m still using that bad batch of Wonder Under, which I really need to return. The paper doesn’t want to come off the back, shredding the appliqué edges. I was too impatient to leave it for days first. Luckily the beads cover the edges well, and I zig-zagged around the fabric first for extra protection before adding the beads.

and more!

It’s official—I’m a bona fide bead-a-holic. I need an intervention. As you can see, a plain binding was not enough. I had to bead the binding (as if I had nothing else in the whole world to work on). And I’m certainly not a bead snob, although I do love expensive beads too. All the beads on this quilt are from the craft shop. The small black and white are glass seed beads, the red hearts are plastic pony beads, and the large white ones are faux pearls (I had to use them to keep the hearts from falling off).
I only broke one bead and knew I should have chosen a larger one for the that particular spot where I would pass the needle through several times, but didn’t bother to go back and switch it out, so there you go, I had a semi-disaster to fix, but will never make that mistake again when using irregularly sized glass beads.
The beaded edge looks outstanding with the red, black and white background fabric, so I used two jump rings at the top for hanging. I will add some kind of applique on the back and make it reversible (I’m really into two-sided quilts these days, as well as beads), so look for more on this quilt in the weeks to come!
happy quilting!

i love you more …

My February 12x12x12 challenge is done (minus the binding as usual). I hope I can finish it off before my guild meeting next Friday, when we’re all supposed to bring Valentine and/or red quilts. I really like the backing fabric on this quilt (and the fabrics on the front as well). The lettering is done in black beads and the white dots have pearly white beads on them, which you can’t really see unless you’re up really close. I think the lively tossed hearts pattern helped me make the lettering more carefree. Marking the letters wasn’t working so I beaded them freehand. I love the texture the echo quilting makes. Even though it was hand quilted, it still drew in the fabric quite a bit. I think it shrank an inch in each direction. I barely had enough left to make the 12 inches square.

I’m really glad this one is done. There are a lot of designs I want to sketch before I forget them all. See more 12x12x12 challenge quilts at the Quilt Studio blog.