adventures of a quilting diva

Here’s a drawer filled with bits and pieces of an unfinished quilt. You know those drawers … You have them too, right?

Everything I need to finish my quilt is in this drawer (I hope!) Go to my post Quilt of Dreams 2004 to see the quilt I’m making. I donated the first one to St. Jude Children’s Research Hospital. This one is for my daughter.

This is a detail of the rainbow garden on that quilt. Luckily most of the garden is already completed.

There’s a magical stage in the quilt-making journey where you have enough skills to turn the quilts you dream up into reality, but not quite enough experience to realize just how painful a process it might be. Way back in 2004 when I dreamt up this quilt was one of those times. Oh well, at least the second time around I’ll know what to watch out for.

Finally finished! You might remember the sneak peak of this quilt way back from summer 2009. (Read the post from July 15, 2009)

The pattern is The Gift by Brandon Mably, found in the book, Kaffe Fassett’s Country Garden Quilts. I made this quilt for a book report at my guild. Now I’m not going back to school and presenting you with a formal book report, but I will tell you a few things about Country Garden Quilts: The whole first third of the book is chock full of gorgeous photos of vibrant quilts that look like they just sprouted out of magnificent gardens (set at Great Dixter in Sussex, a 15th-century English manor). It’s enough to just sit back in a comfortable chair and flip through the pages. Pour yourself a glass of lemonade and enjoy!

If you must break out the needle and thread, this book is more than just eye candy. There are clear instructions, great tips, full views of the quilts, alternate colorways and suggestions for quilting. Projects are divided into easy, intermediate and difficult. I really like that with not just one, but a whole team of quilt designers, you get a wide variety of styles to choose from. Mostly pieced, but a bit of applique as well.

I chose The Gift not only because it was so charming, but because it combined fusible applique with the piecing. A little secret: I made my version at half-size, 13.5″x16.5″ because I didn’t want to take the time to find a copy machine and enlarge the pattern pieces. It worked splendidly right out of the book, and the math to reduce the block sizes was quick and easy to do. I included some of the Kaffe fabrics from my stash, as well as some other prints that I thought were in keeping with the overall feel and scale of the original. I hand-quilted it with salmon pink thread like the original, and added hot-fix crystals for a touch of bling.

I wholeheartedly recommend Kaffe Fassett’s Country Garden Quilts, whether for actual quilt-making or simply the sheer beauty of the book.

Speaking of Kaffe quilt books, I’m reminded of Kaffe Fassett Patchwork: Over 25 Glorious Quilt Designs, one of the very first quilt books I ever owned. One of the very first quilted objects I ever made uses several of the quilt blocks from this book as well (including that glorious cover quilt) … but that’s another story for another day.

Here’s my latest quilt, “Magritte and Me” (17″x23″). I created it for the FFFC Challenge #46, Geology with Unexpected Color.

I really love working with the little paintbrush strokes of fabric. It’s relaxing and fun to do and I like the way it turns out. I have several more ideas for this method of fusible applique quilt that I want to try.

Here’s a detail shot of the castle. This quilt is completely in hand dyed fabric. There are 3 different hand dyed whites. Painters will tell you that there is a difference between white paints and it’s the same with white fabric. Once it’s cut up into bits, you can’t always tell which is which until you place them side by side. Then you can easily see this one is a blue white, that one is a yellow white, and the other is a pink white.

I originally painted the reproduction below  for an exercise in a painting class. My reference was one of those little color plates in a fine art book. Remember when fine art books had those sections of color plates in the middle? If you were actually reading the text you always had to flip back and forth between the pages to see what the author was talking about. You can see a print of the original Le Chateau Des Pyrenees by Rene Magritte on Amazon.

I’m not sure what Magritte’s meaning of The Castle in the Pyrenees is. I read somewhere that he made it for a friend. I liked the image well enough to stare at it for hours on end while working on it, so I chose it for my original assignment and once again for this challenge.

“To be a surrealist means barring from your mind all remembrance of what you have seen, and being always on the lookout for what has never been.” ~ René Magritte

Just in time for Mother’s Day gift-making, here’s my Bloomin’ Button Brooches tutorial, complete with video, instructions, and free pattern sheet. Create several or even a whole bouquet! Why not make a couple buttons for yourself in your favorite colors as well.

Watch the video and then scroll down for the supplies list and step-by-steps. Don’t forget to download the free pattern sheet. (Pattern sheet is in PDF. You’ll need Adobe Reader to open this document.)

For each brooch you will need:
3 1/2″ square background fabric
2″ square fabric for flower
1″ square fabric for flower center
3 1/4″ square lightweight fusible woven interfacing
2″ x 3″ fusible web
40 wt. rayon thread for appliqué
2 1/2″ square cotton batting or low loft polyester batting
Double-stick tape
Small pair of pliers
Hot fix crystals
Crystal applicator wand, mini iron, or household iron to apply crystals
1 1/2″ half ball cover button (brass)
1″ long pin/pendant finding with double-faced adhesive pad

1. Trace the flower of your choice and circle patterns onto paper side of fusible web.

2. Following manufacturers’ instructions, iron the fusible web to the wrong side of the flower and circle fabrics, and iron the fusible interfacing centered on the wrong side of the background fabric.

3. Cut out the flower and circle appliqués and fuse to the middle of the interfaced background fabric. You can place the circle in the middle of the flower or slightly off-center. When making the Jasmine pin, it is easier to fuse and stitch the flower shape before fusing the circle on the flower.

4. Using a small zig zag or machine stitch of your choice and rayon thread, appliqué around the raw edges of the flower and circle shapes.

You can choose matching or contrasting thread depending on the effect desired.  Other machine stitch possibilities include blanket/buttonhole stitch, satin, invisible, or straight. You might even want to experiment with a fun decorative stitch.

Stop needle down in the background fabric to turn the fabric on the curves.  It will be every stitch or two on the tight curves such as on the tips of the Jasmine petals. Pull the thread ends to the wrong side with a hand needle and tie off.

5. Put a small piece of double-stick tape on the top of the button form. Stick the button to the center of the piece of batting. Cut the batting even with the edge of the button so you have a circle of batting on top of your button.

6. Use the pattern from the button package to trace around and cut out the appliquéd fabric with the flower centered in the middle.

7. Use the pliers to pull the wire button shank out of the button top.

8. Stretch the appliquéd fabric circle over the button top and assemble the cover button according to the manufacturer’s directions.

9. Embellish with hot fix crystals, following directions of your applicator wand.

If you don’t have an applicator wand you can use a Clover mini iron or a household iron with crystals up to 4mm in size. Use a cotton setting, no steam. Be extra careful not to burn yourself if you are using a regular household iron. Place the crystal, glue side down in the desired spot. Surgical tweezers are sometimes helpful in placing crystals. Press lightly for 10-20 seconds, and check with your fingernail to make sure it is well adhered. If not, press a little longer.

10. Attach the pin/pendant finding to the back of your brooch according to the manufacturer’s directions. Enjoy!

If you’re not into brooches, why not turn your Bloomin’ Button into a pendant, magnet, purse jewelry, or an embellishment for quilts or scrapbooks!

Download Bloomin’ Buttons pattern sheet. (Pattern sheet is in PDF. You’ll need Adobe Reader to open this document.)

For more fabric cover-button fun see my book, Fast, Fun & Easy Fabric Cover-Button Jewelry: Create Gifts & Glamour in an Afternoon, by C&T Publishing.

It’s true, I’ve been taking a vacation from blogging, but that doesn’t mean I’ve forgotten about my blog. I’ve been busy collecting new inspirations and ideas to share with you!

Here’s a peek at one of the most exciting things I’ve been doing recently: taping some episodes for the Creative Living with Sheryl Borden Show.

I thought it would be a breeze, since I’m used to teaching quilting and crafting techniques, but there are a few significant differences between TV and the live classroom. For one, your time limit is minutes, not hours. And two, if you mess up, you have to start all over from the very beginning. But Sheryl made the taping easy and fun, so I wasn’t stressed at all. I’m so excited to share my fabric cover-button techniques in hi-def!

dressing your coffee cup in style

blooming button jewelry to embellish clothes & quilts

vintage fabric fabric cover-button crafts

fun fabric appliques for card making & scrapbooking

These segments will air on Creative Living in 2011, but I’ll give you a YouTube preview soon!

Still making a block a day for my Dear Diary 2010 quilt. (I’ve got 33 blocks now! See a few recent blocks below.) For a couple of days I fell into satin stitched applique. I didn’t mean to … it just happened.

Satin stitching is one of those techniques I just don’t do. Too much stress, too much hassle, too much thread to cut out when things go wrong. I’m more of a blanket stitch kind of gal.

Unfortunately the fabrics I chose for this little blue mushroom didn’t have as much contrast as I’d imagined they should. So it was either make an entirely new block from scratch or attempt to save the day with some satin stitching in bright blue rayon.

Not bad for a satin-stitch-a-phobe. I could definitely try this again. Maybe someday I’ll even make an entirely satin stitched applique quilt.

So the very next day I did. I had a sample of Glide Trilobal Polyester thread from Fil-Tec Bobbin Central that I’d been saving to try out on a mini quilt top.

As you can see on the cloud applique, it satin stitches beautifully. Notice the tight curves and inside points of the cloud. (These are 4-inch blocks.) I LOVE that even though I stacked up quite a bit of thread to cover the corners and curves, this thread was fine enough that it didn’t jam up or get caught in the feed dogs.

Glide’s shine matches that of rayon, plus it’s colorfast. Check out their wide range of gorgeous colors. There’s even color conversion charts for Madeira and Robison-Anton. The only thing I could wish for is Glide Trilobal Polyester thread in variegated colors. Until then …

Get 10% off all Glide colors for the month of February. Stock up on your favorite colors and fall in love with Glide.

More CHA fun! … Without further ado, here’s #1-5 of my top ten cool stuff at CHA 2010:

#5. Grungepaper Coat: Great patchwork coat made from scrapbooking Grungepaper. Check out the fab flowers on the detail photo!

#4. Petaloo Color Me Crazy: Fun paper, cotton, velvet and mulberry flowers to color and decorate for all your creative projects!

Take a closer look at some of what you can do with these flowers. I’d love to embellish some wearable art with Color Me Crazy flowers. What would you do with them?

#3. C&T Publishing’s Liquitex Soft Body Acrylic & Canvas Books: These are the terrific paints I did my CHA demo projects with. (Get the tutorials here: fabric painting | fabric ribbon rosettes.)

Lots of pigment, brilliant colors, and permanent with no heat setting required. Can be used for many different techniques.

Want a fun surface to paint on? Try these nifty canvas books! They’re ready for your creative touch.

#2. Rabinowitz Design Workshop’s Waxmelter Electric Batik Pen: How fun is this? Melt crayon bits or batik wax to make fabulous fiber art or scrapbook pages.

Drum roll, please … The most wonderful thing I found at CHA, the best thing ever for applique-quilters since fusible web …

hands and scissor free applique!

#1. Making Memories‘ Slice Craft Cutter: Why should scrapbookers have all the fun? Now the fantastic Slice craft cutter can cut fusible fabric appliques!

Place fusible-backed fabric and the Slice cutter onto the magnetic board, select your design, size, press the button and …

Voila! Fusible applique piece ready to be ironed to your background fabric. (Note: The Slice cutter does not dye your appliques and change their color for you. Two different fabrics are shown in these two photos.)And here’s a tea towel to show off the quick and easy Slice applique project. Want to see the Slice in action? (you know you do!) Check out this video from the Making Memories blog.)

That’s all for CHA 2010! Thanks for joining me! ^_^

While I enjoy the big picture looking at paintings and quilts, what I am most intrigued by are the close-up details: the brush strokes and stitches, the weave of the fabric and the facets of the embellishments. So direct from Ontario, California, I bring you a close-up look at the details of a few of my favorite quilts. I hope you are as fascinated and inspired as I am by these intricate works of art from Road to California 2010.

Vases by Suzanne Marshall, MO

What I love most about Suzanne’s prize-winning quilt is the way she outlined each applique piece with hand embroidery.

The Sky’s the Limit by Linda MacDougall, CA

Linda MacDougall pays such attention to each exquisite detail in all her quilts. (Her Garden Party quilt won 2nd place in the Innovative Traditional category. You should be able to see it and the other winners soon on the Road to California website.) Notice the beads and crystals she used for the tiniest ice cream scoops.

I also like the way the iridescent sheer changes the colors of the fabric underneath it.

Flowers Galore by Cindy Shoop, CA

These pieced center circles look like stacked cover buttons or dimensional applique. It really makes a difference compared to plain circles.

Inner Beauty by Cathleen Miller, NM

Look at how the trapunto flowers and leaves tie the appliqued borders into the rest of this magnificent quilt.

When you take a closer look, you’ll see that it’s details like these that take a great quilt and make it a fantastic quilt! Visit the Road to California website to see photos of the rest of this year’s winning quilts.

Today’s tip is simple, but important: stitch, breathe, repeat.

I’ll be the first to admit that I often hold my breath when I’m machine appliqueing or quilting a tricky section.

Take my bunny’s cottontail at left for example. I thought that breathing might somehow disrupt the smooth curves of the cottontails, so I tried to hold my breath while machine stitching around them. But holding my breath only made me rush around the circles to reach the other side before I passed out.

Turns out that slow, even breathing makes for the smoothest circles of all. Check out that yellow bunny for yourself. It was my first cottontail sewn while breathing. It beat my very best non-breathing cottontail hands down.

Try it yourself and see. About 9-10 steady, even breaths per minute works best for me for both slow and quick machine stitching.

Be patient, it might take a little bit of practice to get it right. In the beginning I sometimes found myself concentrating too hard on breathing and not enough on sewing. Keep it up and you’ll find just the right balance. With good breathing techniques I can now say that making quilts is truly relaxing after a stressful day.

Here’s a little project I’m working on: Mini Pockets, a half-size all-applique variation on my 12- inch Pocket Full of Posies block using the vintage cheater cloth I showed you in September for Fabric Friday.

The pocket pattern fit the print just right so that it looks like two pieces, but it’s really only one. I’m going to stitch the applique pieces down before adding the buttons to the flowers.