adventures of a quilting diva

It’s true, I’ve been taking a vacation from blogging, but that doesn’t mean I’ve forgotten about my blog. I’ve been busy collecting new inspirations and ideas to share with you!

Here’s a peek at one of the most exciting things I’ve been doing recently: taping some episodes for the Creative Living with Sheryl Borden Show.

I thought it would be a breeze, since I’m used to teaching quilting and crafting techniques, but there are a few significant differences between TV and the live classroom. For one, your time limit is minutes, not hours. And two, if you mess up, you have to start all over from the very beginning. But Sheryl made the taping easy and fun, so I wasn’t stressed at all. I’m so excited to share my fabric cover-button techniques in hi-def!

dressing your coffee cup in style

blooming button jewelry to embellish clothes & quilts

vintage fabric fabric cover-button crafts

fun fabric appliques for card making & scrapbooking

These segments will air on Creative Living in 2011, but I’ll give you a YouTube preview soon!

Still making a block a day for my Dear Diary 2010 quilt. (I’ve got 33 blocks now! See a few recent blocks below.) For a couple of days I fell into satin stitched applique. I didn’t mean to … it just happened.

Satin stitching is one of those techniques I just don’t do. Too much stress, too much hassle, too much thread to cut out when things go wrong. I’m more of a blanket stitch kind of gal.

Unfortunately the fabrics I chose for this little blue mushroom didn’t have as much contrast as I’d imagined they should. So it was either make an entirely new block from scratch or attempt to save the day with some satin stitching in bright blue rayon.

Not bad for a satin-stitch-a-phobe. I could definitely try this again. Maybe someday I’ll even make an entirely satin stitched applique quilt.

So the very next day I did. I had a sample of Glide Trilobal Polyester thread from Fil-Tec Bobbin Central that I’d been saving to try out on a mini quilt top.

As you can see on the cloud applique, it satin stitches beautifully. Notice the tight curves and inside points of the cloud. (These are 4-inch blocks.) I LOVE that even though I stacked up quite a bit of thread to cover the corners and curves, this thread was fine enough that it didn’t jam up or get caught in the feed dogs.

Glide’s shine matches that of rayon, plus it’s colorfast. Check out their wide range of gorgeous colors. There’s even color conversion charts for Madeira and Robison-Anton. The only thing I could wish for is Glide Trilobal Polyester thread in variegated colors. Until then …

Get 10% off all Glide colors for the month of February. Stock up on your favorite colors and fall in love with Glide.

More CHA fun! … Without further ado, here’s #1-5 of my top ten cool stuff at CHA 2010:

#5. Grungepaper Coat: Great patchwork coat made from scrapbooking Grungepaper. Check out the fab flowers on the detail photo!

#4. Petaloo Color Me Crazy: Fun paper, cotton, velvet and mulberry flowers to color and decorate for all your creative projects!

Take a closer look at some of what you can do with these flowers. I’d love to embellish some wearable art with Color Me Crazy flowers. What would you do with them?

#3. C&T Publishing’s Liquitex Soft Body Acrylic & Canvas Books: These are the terrific paints I did my CHA demo projects with. (Get the tutorials here: fabric painting | fabric ribbon rosettes.)

Lots of pigment, brilliant colors, and permanent with no heat setting required. Can be used for many different techniques.

Want a fun surface to paint on? Try these nifty canvas books! They’re ready for your creative touch.

#2. Rabinowitz Design Workshop’s Waxmelter Electric Batik Pen: How fun is this? Melt crayon bits or batik wax to make fabulous fiber art or scrapbook pages.

Drum roll, please … The most wonderful thing I found at CHA, the best thing ever for applique-quilters since fusible web …

hands and scissor free applique!

#1. Making Memories‘ Slice Craft Cutter: Why should scrapbookers have all the fun? Now the fantastic Slice craft cutter can cut fusible fabric appliques!

Place fusible-backed fabric and the Slice cutter onto the magnetic board, select your design, size, press the button and …

Voila! Fusible applique piece ready to be ironed to your background fabric. (Note: The Slice cutter does not dye your appliques and change their color for you. Two different fabrics are shown in these two photos.)And here’s a tea towel to show off the quick and easy Slice applique project. Want to see the Slice in action? (you know you do!) Check out this video from the Making Memories blog.)

That’s all for CHA 2010! Thanks for joining me! ^_^

What’s more fun than Disneyland and crafty too? The CHA (Craft & Hobby Association) Craft SuperShow and Winter Convention & Trade Show at the Anaheim Convention Center.

Quilters know quilt shows, but in case you’ve never been to a CHA show, here’s my Top Ten List of Cool Stuff you’ll find at CHA:

#10. Lyra Rembrandt Polycolor Pencils: Fabulous oil-based colored pencils: Strong, smooth, sharp, gorgeous colors, great for blending, plus no fading or waxy buildup. Need I say more?

#9. Soft Flex’s Trios: Love color? Love to make jewelry? Soft Flex colored beading wire now comes in fabulous variety packs. Here are two of my favorites from the new 2010 collection: Egg Hunt and Be My Valentine.

#8. Halina Tepper, Button Sculptor: Halina make amazing sculptures from buttons and recycled materials.

20,000 buttons are sewn onto this lion!

The cute mouse pincushion has slightly fewer buttons than the lion, but would make a fun addition to any sewing room.

These little kangaroos give you a peek at how the button sculptures are made. The buttons on the finished kangaroo are made from the same used glue bottles that form the base.

#7. Provo Craft’s Cricut Cake: Use scrapbooking Cricut cartridges in the Cricut Cake machine (specially made to be food-safe, don’t try this at home with your Cricut Expression!) to make sugar gum paste cutouts to decorate cakes with. These super cute animals look like “cake appliques” to me. Peel and stick. How cool is that? Now anybody can be a cake decorator! (Available April 2010)

#6. Epiphany Crafts‘ Button Studio & Shape Studio: As easy and fun as paper punches, make paper- or photo-backed epoxy scrapbooking charms and buttons. (Available April 2010)

Come back tomorrow to find out #1-5!

Today I demonstrated fabric painting and fabric ribbon rosettes at the CHA Winter Trade Show. For those of you who couldn’t make it, here’s an online tutorial for fabric ribbon rosettes just for you. (Click here for my CHA fabric painting tutorial)

To make a really special rosette, add a beaded fabric cover-button (button-beading techniques can be found in my book, Fast, Fun & Easy Fabric Cover-Button Jewelry, by C&T Publishing.)

1. Choose two contrasting fabrics and a coordinating button.
2. Cut the fabric 18″ wide by as long as you wish. You can use one painted fabric piece and one paint-free, or two paint-free pieces. I don’t recommend using two painted fabrics back-to-back unless you plan to use glue to secure the rosette. It’s a little tough getting the needle through two layers of painted fabric. (I bent a very hefty needle trying.)
3. Fuse a sheet of Wonder Under to the reverse side of one of your chosen fabrics. (Wonder Under is 17″ wide so it will fit nicely on a piece of fabric 18″ wide.) Trim off the excess fabric with a rotary cutter and ruler.
4. Peel off the paper backing and fuse the reverse side of the other fabric to the first piece of fabric. Trim off the excess fabric. You now have a double-sided piece of fabric.
5. Use a decorative blade rotary cutter to cut fabric ribbon strips 1/2″ – 5/8″ wide x 17″ long.
6. Sew two lines of contrasting thread down the center of the fabric ribbon if desired. Use a different color in the bobbin for the fabric on the reverse side. (This stitching is more decorative than functional. The Wonder Under and fabric paint do a really good job of discouraging fraying.)
7. Thread a large needle with strong thread and make a big knot near the end. (Big needles make big holes and you don’t want the knot pulling completely through.)
8. Find the center of the ribbon’s length and pinch to mark the center.
9. Make a loop at one end to form the first petal. With a 17″ long fabric ribbon you can make six 1-1/4″ petals.
10. This is the view from underneath your petal. Fold the ribbon at an angle to start the second petal and show the contrasting fabric.
11. This is the view from the top again. Fold the ribbon back to the top to make the second petal.
12. Fold the fabric ribbon on top to start the third petal and bring the ribbon to the back again to complete the third petal. Look for the center crease you made in step #6. If the crease is part of the third petal then your first three petals are too large for the length of your fabric ribbon. You won’t have enough ribbon left for three more petals. If the crease is at or beyond the fold of the third petal, then you will have enough fabric ribbon for three more petals.
13. Continue folding the fabric ribbon from front to back and back to front until you’ve completed all six petals.
14. Pick up the needle and thread and make several hand stitches through the center to secure all the petals. Make sure the stitches are close enough to the center to be hidden by the button. If you have a large button you can spread your stitches out further where there are fewer layers of fabric.
15. Finally stitch the button on the side you want to call front.

Voila! Now all that’s left is to decide what to do with your fabric ribbon rosette. Sew a pin back on, glue to a round magnet, or embellish a quilt or purse.

More CHA  fun to come!

Got boring fabric? Try some fabric painting fun to jazz it up a bit and turn it into something you actually WANT to use! Here’s the technique I’m giving a demo on at the Craft & Hobby Association’s 2010 Winter Trade Show today:

1. Start with some boring fabric. If you’re going to use it to make my fabric-painted rosettes, then cut it to be 18″ long. The piece below is about 9″ or 10″ by 18″. The enamel tray is great for containing the mess. Otherwise, you could cover your surface with freezer paper or plastic. (Tape it down taut for a smooth finish.)



2. Using a 1″ paintbrush and Liquitex Soft Body Acrylic Paint (the ones in the plastic jars) make random diagonal brushstrokes across the fabric. I used Brilliant Purple here. Dip the paint brush in a little water if you wish, but don’t use too much water at this point because you want to have some opaque areas that block the pattern and some translucent ones that let the pattern peek through. See the lighter sections of purple in the brushstrokes below? That’s where the paint is not watered down. This will dry opaque and cover the pattern. The darker parts of the brushstrokes with the pattern showing through have less paint and more water.
3. Now add more water to the paint to make a thinner consistency and cover the entire piece of fabric with a thin coat of paint. You can leave a few scattered sections of fabric unpainted if you wish.
4. Add in some more thicker areas of paint.
5. Use a stencil to add some bling. I used Liquitex Soft Body Acrylic in Iridescent Rich Gold. I’m stenciling right on the already wet/damp fabric. This will make the pattern slightly less distinct, but more interesting. The water also holds the stencil in place so it makes things easier in that respect: you don’t have to worry about the stencil shifting. Place it straight down, dab the paint into the holes, and lift it straight up again. Repeat as desired.



6. Next comes stamping. Use a paint brush to apply paint to foam stamps. Use less paint for a distressed look or completely cover the stamp for a complete image. If you start out with more paint you can stamp multiple times before reloading with paint and get ghost images. Just don’t put so much paint on the stamp that it oozes over the edges of the stamp. Stamp some images while the paint is still wet and then wait till it dries (or use a hair dryer like I do to speed up the process) and stamp some more to get distinct edges. Notice how the some of the purple checks are fuzzy. They were stamped onto wet fabric. The distinct checks were stamped after the fabric was dry.
7. Finally use a small paintbrush on dry fabric to add details. Outline bits and pieces of the design showing through as well as some of the images you stamped, or just doodle.

Voila! Now you have a fun piece of fabric to use for quilting, embellishing, and more! It would make a fabulous background for ATCs (artist trading cards) or fabric postcards. It would be great for an art quilt, but not so much for a quilt you’d want to snuggle with. Depending on how thickly you apply the paint, the fabric can come out a bit stiff. On the positive side, the painted fabric has more body and resists raveling. Tune in tomorrow to find out what I made with this piece of painted fabric (and get a tutorial too!)

Want more fabric painting fun? Check out Judi Hurwitt’s Rescuing Ugly Fabric post at the Approachable Art blog.

While I enjoy the big picture looking at paintings and quilts, what I am most intrigued by are the close-up details: the brush strokes and stitches, the weave of the fabric and the facets of the embellishments. So direct from Ontario, California, I bring you a close-up look at the details of a few of my favorite quilts. I hope you are as fascinated and inspired as I am by these intricate works of art from Road to California 2010.

Vases by Suzanne Marshall, MO

What I love most about Suzanne’s prize-winning quilt is the way she outlined each applique piece with hand embroidery.

The Sky’s the Limit by Linda MacDougall, CA

Linda MacDougall pays such attention to each exquisite detail in all her quilts. (Her Garden Party quilt won 2nd place in the Innovative Traditional category. You should be able to see it and the other winners soon on the Road to California website.) Notice the beads and crystals she used for the tiniest ice cream scoops.

I also like the way the iridescent sheer changes the colors of the fabric underneath it.

Flowers Galore by Cindy Shoop, CA

These pieced center circles look like stacked cover buttons or dimensional applique. It really makes a difference compared to plain circles.

Inner Beauty by Cathleen Miller, NM

Look at how the trapunto flowers and leaves tie the appliqued borders into the rest of this magnificent quilt.

When you take a closer look, you’ll see that it’s details like these that take a great quilt and make it a fantastic quilt! Visit the Road to California website to see photos of the rest of this year’s winning quilts.

I’ve learned a thing or two during the first 12 days of Dear Diary 2010. For example, there are some blocks that I would really rather not make multiples of. A four-inch 16-patch (shown above) is one of them. I don’t mind making one every now and then, and this quilt is the perfect place for it.

The purple and black Square-in-a-Square at right is another one of those blocks I don’t see myself making more of. (The dime is for scale.) It is pieced for real, not painted, stamped or fussy cut. I can’t imagine why I ever made it in the first place, but I can see why there is only one.

I was digging in my scrap box for more of the sheep fabric, but couldn’t find any. What I did find was this little gem, already inset into the muslin and just waiting for me. I think it fits in rather nicely.

happy quilting! =(^_^)=

Did you resolve to make or finish more quilts in the new year? Think you can do it in just 10 minutes a day?

Not all of us can take off on a week-long quilting retreat, but just about everybody can carve out 10 minutes a day for quilting-related tasks. Here’s how it works:

1. Choose a quilting project to devote 10 minutes a day to. Avoid complicated patterns. You want something simple that you can jump right in and out of without getting mixed up.
2. Set aside 10 minutes each day. Schedule it in. Early in the morning works best for some people, while others prefer evening or late night. Choose a time that works for you. Don’t be afraid to mix it up once in awhile as needed. If you’re ironing the laundry one afternoon, the ironing board is set up and the iron’s hot, take advantage of that. After ironing your clothes, take 10 and press the fabric for your 10-minute project.
3. Divide the steps into short, manageable chunks and assign days to them. For example, Sunday: press the fabric. Monday: cut strips for fabric A. Tuesday: subcut units for fabric A. Wednesday: cut strips for fabric B. Thursday: subcut units for fabric B.  Friday: chain piece unit A-Bs. Saturday: press unit A-Bs. And so on. If you don’t have a dedicated sewing space set up and it takes too much time and effort to clear the dining room table and set up for just 10 minutes, then use your 10-minute days for prep work only. When you do have an afternoon or even an hour or two for quilting, you’ll be ready to jump right in and get stitching!

There’s a new blog in my life. It doesn’t run on WordPress or Blogger, and has no URL. I don’t need a PC, a Mac, or even an internet connection for uploading to my new blog.

It’s my Dear Diary 2010 journal and I post every day with my Zig pigment pens.

But unless you happen to meet me in the street (or maybe at Road to California later this month) you might never get to read it. I promise to give you updates here every now and then.

Dear Diary 2010 is coming along quite well. I’m still working out a few kinks in the program, such as: maybe it’s not the most realistic expectation to design, create, and quilt a new block each and every single night when you get started around 10 or 11 pm. I can definitely design it and at least fuse or piece each one daily though. As long as I don’t skip any days I’ll be able to catch up.

None of them are quilted yet because I’m still deciding how I want to quilt them. I’m leaning towards hand quilting around the edges with big-stitch quilting with top-stitching thread. (I really love the look of bold hand stitches, and the 4-inch blocks are great for taking along.) Once they’re quilted I’m going to connect them with E seed beads.

Here are my first week’s blocks:

Stay tuned for more!